"We would also provide law enforcement with the means of surveillance on Zello conversations globally and would have to share all Zello encryption keys with FSB, the Russian state security organization," read Zello's response at the time. In 2017, Zello said that officials attempted to block the app when the company failed to comply with a demand that it store user data in Russia. Notably, this is not the first time the Russian government has moved to limit Zello in some way. We also asked how many users in Russia the app has, and if the company has any response to Roskomnadzor's announcement. We reached out to Zello in an effort to determine what effect, if any, this supposed limiting of its app in Russia has had on service. Public channels, which differ from Group conversations in that they're (as the name suggests) open to the public and searchable, are unencrypted. This means that (if implemented properly) no one, not even Zello, can listen in on those conversations. "Group conversations are private and encrypted end-to-end," the company explains. Importantly, Zello does offer an end-to-end encrypted chat feature. Russians using Zello inside the country seems to have run afoul of official government censors. 6 rioters using Zello infiltrated the U.S. This functionality came in handy in 2017 when Zello users attempted to coordinate aid in response to Hurricane Irma, and, more recently, when Jan. Zello, which offers both a free and a paid version of its service, lets users create voice discussion " channels" of up to 7,000 people - think voice chat rooms full of people talking to each other in real time. "Due to the failure of the administration of Zello to comply with the requirements of Roskomnadzor within 24 hours, access to this application on the territory of the Russian Federation will be limited." "On March 4, Roskomnadzor, based on the decision, sent the administration of the American Internet resource Zello (Zello Inc.) a request to stop sending messages to users that contain false information about the course of a special operation of the Armed Forces of the Russian Federation on the territory of Ukraine," reads the translated message in part. At issue, according to an official press release (translated from Russian by Google), is the Texas company's failure to prevent discussion of Russia's ongoing invasion of Ukraine on its platform. On Sunday, Roskomnadzor, the Russian federal agency responsible for censoring the media and internet, announced it was moving to "limit" the walkie-talkie app Zello. First Facebook, then Twitter, then Facebook again, and now.
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His first success was a play about The Beatles called John, Paul, George, Ringo … and Bert. Russell then undertook a variety of jobs, also the first play he wrote was Keep Your Eyes Down Low (1975). After leaving school with one O-level in English, he first became a ladies' hairdresser and ran his own salon. His parents worked in a book publisher's and often encouraged him to read. Willy Russell was born in Whiston, on the outskirts of Liverpool, where he grew up. His best-known works are Educating Rita, Shirley Valentine, and Blood Brothers. It is also a careful study in the uncertainty of transformation as we go through life wishing for something we don’t have.William Russell is a British dramatist, lyricist, and composer. The play is an insightful look into the ways that social class and education can shape who we are. It is also up to the reader to decide if what Frank thinks is truly important. It is up to the reader to decide if Rita was changed for the better by her lessons or if she became exactly what Frank hated about academia. For Rita, education offers an escape from what she considers to be a lackluster life, but for Frank, it is a rigid system that squelches everyone’s personality. The play deals with the ideas of social class and what it means to be educated. She tells him that she has something to give him, and the play closes with her giving him a haircut. One day, Rita comes by and mention that he has been a great teacher. Frank is upset by the school forcing him to take a sabbatical and he prepares to go to Australia without Julia. Rita gets busier and busier and eventually, their meetings are few. They fight, but when he tells her that he read Rubyfruit Jungle and liked it, which makes her laugh. When Frank gives her negative comments on an essay, she accuses him of only wanting a copy of himself. She gets a new flatmate, starts speaking differently, and continues her lessons. Rita starts to become more like the world of academia that Frank hates. Frank tells her that none of that matters, that she only had to be herself, but she gets offended and feels like he wants to show her off as an attraction. She didn’t feel like she was wearing the right things or bringing the right wine. She tells him later that she felt all wrong to show up. Frank invites her to a dinner party Julia is hosting, but Rita doesn’t attend. Rita feels trapped by what he thinks are choices, however, saying that they aren’t real choices. Denny feels scared and betrayed by her changes, and believes that they already have choices. Rita reveals Denny burned all her things though out of anger because she is changing and trying to improve herself. The next lesson, Rita does not have her essay, which annoys Frank. Frank reluctantly agrees after a few probing questions. They talk about culture, and Rita insists that the working class has no culture. She tells him that Denny, her husband, doesn’t like for her to do the essays at home. Frank doesn’t care, but he mentions that her latest essay is rather short and that he has questions. In Act III, we see Rita rushing in late because of a talkative customer. Rita doesn’t take these comments seriously. He says that he wouldn’t hide so much from his girlfriend if she were more like Rita. As they continue their lessons, Franks world-weariness begins to show, and he is more down than up. Rita asks Frank if he is married, and he says that he was once. She read a Forster book that Frank mentioned but couldn’t get into it because Forster mentioned that he hated poor people. He wants her to produce real criticism, but this is difficult for her to do. She writes an essay on her favorite book, but Frank criticizes it saying that it was too subjective. 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If (-not (Get-Command choco.Securing websites are indispensable these days. zip to the filename to handle archive cmdlet limitations # Ensure Chocolatey is installed from your internal repository # $Chocolate圜entralManagementServiceSalt = "servicesalt" # $Chocolate圜entralManagementClientSalt = "clientsalt" # $Chocolate圜entralManagementUrl = " # ii. # If using CCM to manage Chocolatey, add the following: $ChocolateyDownloadUrl = "$($NugetRepositoryUrl.TrimEnd('/'))/package/chocolatey.2.0.0.nupkg" # This url should result in an immediate download when you navigate to it # $RequestArguments.Credential = $NugetRepositor圜redential # ("password" | ConvertTo-SecureString -AsPlainText -Force) # If required, add the repository access credential here $NugetRepositoryUrl = "INTERNAL REPO URL" # Should be similar to what you see when you browse Your internal repository url (the main one). # We use this variable for future REST calls. # installed (.NET 4.5 is an in-place upgrade). NET 4.0, even though they are addressable if. # Use integers because the enumeration value for TLS 1.2 won't exist # Set TLS 1.2 (3072) as that is the minimum required by various up-to-date repositories. # We initialize a few things that are needed by this script - there are no other requirements. # You need to have downloaded the Chocolatey package as well. Download Chocolatey Package and Put on Internal Repository # # repositories and types from one server installation. # are repository servers and will give you the ability to manage multiple # Chocolatey Software recommends Nexus, Artifactory Pro, or ProGet as they # generally really quick to set up and there are quite a few options. # You'll need an internal/private cloud repository you can use. Internal/Private Cloud Repository Set Up # # Here are the requirements necessary to ensure this is successful. Your use of the packages on this site means you understand they are not supported or guaranteed in any way. With any edition of Chocolatey (including the free open source edition), you can host your own packages and cache or internalize existing community packages. Packages offered here are subject to distribution rights, which means they may need to reach out further to the internet to the official locations to download files at runtime.įortunately, distribution rights do not apply for internal use. If you are an organization using Chocolatey, we want your experience to be fully reliable.ĭue to the nature of this publicly offered repository, reliability cannot be guaranteed. Human moderators who give final review and sign off.Security, consistency, and quality checking. ModerationĮvery version of each package undergoes a rigorous moderation process before it goes live that typically includes: Welcome to the Chocolatey Community Package Repository! The packages found in this section of the site are provided, maintained, and moderated by the community. The Warby Parker website describes the Percey frames as a “ bookish modern classic.” You can choose between seven colors, including Whiskey Turquoise and Jet Black with Polished Gold. Warby Parker describes them as having a “ perfect balance all while making a sharp first impression.” While the lenses are round, the frames give them a squarer look. The Durand frames are similar to Warby Parker’s Baker frames, but this time, with a more masculine touch. Right now, they’re available in two colors - Striped Sassafras and Eastern Bluebird Fade. However, these frames have a bit of a feminine feel. Warby Parker Baker Framesįeaturing a keyhole bridge and round lenses, Warby Parker’s Baker frames are technically unisex, like many of these glasses are. Our favorites are Acorn Tortoise and Champagne with Cognac Tortoise. The Whalen frames are available in seven colors. Warby Parker’s Whalen frames feature a keyhole bridge and scalloped detailing, making them the perfect round frames for women. If you want a slightly more obvious cat-eye look than what the Daisy frames offer, you might be interested in Warby Parker’s Louise frames.Ĭurrently, these elegant women’s frames only come in one beautiful color, Blush Tortoise. The Daisy frames are available in seven colors, including Berry Crystal Fade and Eastern Bluebird Fade. The cat-eye isn’t obvious at first glance, but according to Warby Parker, the Daisy frames “still command a little attention.” Warby Parker’s Daisy frames are perfect for women who want a slight cat-eye look. Here are 14 of the most popular frames Warby Parker offers. From serious, studious looks to a delightful array of colors, you will surely find frames you love. Warby Parker is an extremely popular, high-end glasses retailer with a wide array of styles you can choose from. The spokesperson added that most Spike viewers already have the more expensive package that the channel is being moved to, so those viewers won’t face additional costs. Watch live shows wherever you are, at home or on the go With Sling TV, you get to choose the television option that’s right for you, including Channel Add-ons, Premiums Add-ons, DVR Plus and more. These are not easy decisions, and we know that some customers will be disappointed.” Sling TV is the first app-based TV service letting you stream live television and on-demand content over the internet. “However, due to increasing programming costs, we sometimes need to make adjustments to our channel lineup. (HD-only indicates channels not available in standard definition.) A&E. Comcast (NASDAQ: CMCSA) has quietly moved two Viacom-owned channels, Spike TV and CMT, out of a less expensive programming tier in a move it says is. Not all programming available in all areas. Shop All Deals Full Lineup Already a customer View My Channels Some restrictions apply. “Our goal is to provide customers with the best value and most viewing choices,” Comcast said in a statement. Xfinity Channel Lineup and TV Guide by Comcast XFINITY TV CHANNEL LINEUPS Get all the entertainment you love Compare channel lineups in your area and save with our latest deals. Viacom maintains that “ all the extra money from these higher monthly fees goes directly to Comcast and is not shared with Spike TV or CMT.” A spokesperson told Fortune that any programming price hike is the result of a long-standing contract with Comcast, and that the two networks cost less than a penny more a month in total than they did last year.Ī Comcast spokesperson disagreed, telling Fortune that it has contractual rights to move or even drop channels. Xfinity® Channel Lineup and TV Guide by Comcast XFINITY TV CHANNEL LINEUPS Get all the entertainment you love Compare channel lineups in your area and save with our latest deals. “This action is in direct violation of our agreement and will increase costs for customers who will now have to pay more for networks that were previously included in less expensive packages,” Viacom said. Viacom-owned channels Spike and CMT, and well as Pop (formerly known as the TV Guide Network), are being moved to higher-end packages, in a move that Comcast says is a response to increasing programming costs.īut Viacom (VIAB) said in a statement that that it has some problems with Comcast’s decision. I am aware once more of a new desire, something rising beneath me like the proud horse whose rider first spurs and then pulls back. It’s left to Bernard, the writer, to draw some sort of conclusion: “And in me too the wave swells it arches its back. Ultimately the suggestion is that it’s only through sensibility, our creative inner life, that we are able to achieve love, forge abiding worth and find the fellowship that are the principle sources of light and warmth in life. And in each section prevails the endless repetition of the sound and rhythm of the waves. But they heap themselves on me they sweep me between their great shoulders I am turned I am tumbled I am stretched among these long lights, these long waves, these endless paths, with people pursuing, pursuing.”Įach section depicts the next phase in the lifespan of the characters. By the end of the first part all six are identifying themselves in relation to each other, all six are struggling with fears and insecurities, all six jarred and flailing in their attempts to achieve identity – as for example Rhoda: “Let me pull myself out of these waters. An early indication of how Woolf will concentrate on private rather than public events to build the biographies of her six characters. Baptism comes here, not in church, but when the nurse squeezes a sponge and sends rivulets of sensation down the spines of the six children. The first section introduces us to the six children and their first impressions of the world around them. Instead we see nature as a dispassionate encompassing force locked into its relentless merciless rhythms. For she is questioning the origins and nature of consciousness in this novel. The opening section of The Waves, a depiction of the dawning of day, calls to mind the act of creation itself. A haunting moment of sensibility which will subsequently act as a motif in the quest to know intimacy and achieve identity. All six characters in The Waves experience a similar crucible childhood moment. Authenticity, for her, was to be found in the secret and unspoken experiences of life, her “moments of being”. The native ground from where all her shoots would spring forth. She believed the experience remained at the very heart of her inner life, a kind of oracle. Virginia Woolf speaks somewhere of her earliest childhood memory – of being in bed as a very young child and listening to the sound of the waves distantly breaking on the beach out in the night. Epiphanies, private moments of triumph and failure - or what Virginia Woolf called "moments of being". A kind of archaeology excavating identity entirely from what’s buried and sacrosanct. So The Waves is the biography of six characters, all of whom speak for the other five as much as for themselves. The six of you ultimately becoming one voice endeavouring to give shape to this one shared life. The narrative a fluid continuum where all six of you are continually merging and separating in a fellowship and divorce of feeling. Those secret and unspoken moments known only to ourselves when we feel at our most isolated or connected, our most transfigured, lost or unknowable. But through a linguistic transposition of the ebb and flow, the forging and eroding, of the waves of our inner life. Told not within the usual matrix of bald accountable facts, social landmarks of achievement and failure. Imagine this: a biography of you and your five best friends. But once the code is cracked, the whole experiment has a brilliant simplicity. For the unprepared reader the first fifty pages can be as baffling as an unknown code. The Olmsteads did not attend the film's official premiere, having felt that Bar-Lev, who doubts that Olmstead created the paintings attributed to her, made editing choices that portrayed them in bad light. After Bar-Lev expressed these doubts and began filming Marla to capture her painting a work of similar quality to paintings previously sold in her name, she is seen repeatedly asking her father to help her paint a face on the painting or paint it himself - the exchange taking place during playful banter between Marla and her father. It includes excerpts from start-to-finish videos of two of Marla's works and questions whether the two works, the 60 Minutes painting (known as "Flowers") and "Ocean," are of the same quality as other works attributed to her. The film does not explicitly take a position on the question of her works' authenticity, but Bar-Lev is heard during his interviews of Marla's parents and in a piece included as an extra on the DVD expressing doubts about whether Marla created the paintings herself. The 2007 documentary My Kid Could Paint That, by director Amir Bar-Lev, examines Marla Olmstead, her family, and the controversy surrounding the art attributed to her. I saw a normal, charming, adorable child painting the way preschool children paint, except that she had a coach who kept her going." Winner also indicated that the painting created after CBS's hidden camera looked "less polished than some of Marla's previous works." When Winner reviewed the tapes, the psychologist said, "I saw no evidence that she was a child prodigy in painting. The Olmsteads agreed to permit CBS crews to set up a hidden camera in their home to tape their daughter painting a single piece in five hours over the course of a month. Winner was impressed with Marla's work, and indicated that Marla was the first child prodigy she'd seen paint abstractly. 60 Minutes enlisted the help of Ellen Winner, a child psychologist who studies cognition in the arts and gifted children. In February 2005, a report by CBS News' 60 Minutes II raised questions about whether Marla created the paintings on her own. Marla has attracted media attention from The New York Times and Time magazine. The skill demonstrated in the paintings has prompted critics and media to draw comparisons to abstract artists Wassily Kandinsky and Jackson Pollock. Her work increased in popularity after her first gallery showing, with many of the paintings selling for tens of thousands of US dollars. In 2013, she gave an interview at "The Intersection", which is a one-day gathering of innovative thinkers. From that point forward, Olmstead's paintings began to sell frequently. Soon after a customer bought one of the paintings for $253, a local gallery owner was shown one of her works and eventually organized a show at his gallery. Eventually, her work was on display at a local coffee shop. Mark painted for a very brief period after his father died, and makes no claims of being an artist of any variety. A 2005 60 Minutes II story on Olmstead that first brought her publicity led to speculation that the works supposedly created by Marla were in fact created in collaboration with her father, which was further examined in the 2007 documentary on her, My Kid Could Paint That.Īccording to her parents, Marla Olmstead began painting just before her second birthday in early 2002 when her father, Mark, gave her paint to divert her from distracting him from his own painting. Abstract artworks painted by her have been as large as five feet (1.52 m) square and have sold for tens of thousands of US dollars. Marla Olmstead (born 2000 in Binghamton, New York) is a painter of abstract art who by the age of four had caught international media attention for her work. It will automatically bypass the encryption layer of most eBooks during conversions. 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